HARFORD COMMUNITY COLLEGE

MUS 223 EVOLUTION OF JAZZ

SYLLABUS

3 credits

 

Instructor: Philip B. Cunneff

Office Location: Joppa Hall, Room J-113

Office Hours: by appointment

Phone: (410) 836-4445 ext. 7576

e-mail pcunneff@harford.edu

REQUIRED TEXT:


Concise Guide to Jazz 5th Edition (with accompanying Jazz Styles Demonstration CD and Jazz Classics CD's) ISBN: 0-13-221916-6
Gridley, Mark C.
Prentice-Hall
2007

 

 

ON-LINE AUDIO

Your textbook will mention many important musicians whose work is not included on the Jazz Classics CD. Each week, .wma (windows media audio) streaming audio selections will be posted for you to listen to on your computer. These selections are protected by copyright and are not to be downloaded in any permanent form. To do so is illegal and dishonest. You will need the free Windows Media Player to listen to these. If you don't already have this player installed on your computer, please go to http://www.microsoft.com/windows/windowsmedia/download/default.asp and install it right away. (The newest version is Windows Media 11).

 

 

CATALOG DESCRIPTION:

Evolution of Jazz is a general introductory course exploring the history and development of jazz music in the United States over its century-long history and from its African and American precursors to its present-day practice throughout the world. The basic structural elements of music are introduced to provide a foundation for critical listening and discussion. This course may require field trips. A reasonable alternative option to the field trip will be available. Three lecture hours per week.

 

 

STUDENT LEARNING OBJECTIVES LINKED TO RELEVANT COURSE OUTCOMES:

Upon completion of this course, the student will be able to:

      1. Recognize and define the basic elements of jazz music, including syncopation, swing, improvisation, popular-song and blues form, call-and- response, and characteristic (idiomatic) instrumental techniques. (Outcome: critical thinking)

      2. Identify the instruments in the typical jazz ensemble by sound and analyze their structural functions in various styles. (Outcome: critical thinking)

      3. Recognize and compare the various styles of jazz, including traditional New Orleans and Chicago, midwest and east coast swing, bebop, hard bop, cool, avant-garde, new thing, fusion, neo-bop, etc. (Outcomes: communication, critical thinking, information literacy, culture and society)

      4. Identify the major composer/performers in the history of jazz, including Louis Armstrong, Edward Kennedy "Duke" Ellington, William "Count" Basie, Charlie Parker, John Birks "Dizzy" Gillespie, Charles Mingus, Miles Davis, Bill Evans, John Coltrane, Ornette Coleman, etc. (Outcome: culture and society)

      5. Evaluate the reciprocal influence of jazz music and the culture of the United States. (Outcomes: communication, culture and society)

 

 

INSTRUCTIONAL METHODS:

    1. Lecture and discussion

    2. Directed listening

    3. Performance attendance

    4. Reading and listening assignments

    5. Weekly tests

 

 

RELATION OF COURSE TO GENERAL EDUCATION GOALS

 

 

 

DISCUSSION:

Every week, I will post one or more questions for discussion in this area. Every student is required to make at least one substantive post ("that’s right" or "me too" do not constitute substantive posts). These may be questions which demonstrate that you are thinking about the material; they may be statements of opinion with appropriate references and/or documentation. These posts must be made in standard English, not in "webspeak" or any other form of slang. Spelling and grammar will be noted and considered in grading.

 

 

WEEKLY QUIZZES:

Every week, there will be a short quiz on the material you have studied. You will be allowed two attempts to take each of these quizzes. You may change your answers at any time before submitting the quiz for grading. However, do not submit the quiz until you are sure it is ready to be graded. Once all students' quizzes have been submitted and graded, you may return to your quiz. You will see your quiz with all correct answers and any comments I have made. While your grades will appear in your "My Grades" module, you will find your completed quizzes and the correct answers and comments given in this view quite valuable in enhancing your understanding of the material and, of course, studying for exams.

 

 

INSTRUCTOR RESPONSE/GRADE POSTING:

In most cases, e-mails will be responded to and quiz grades will be posted within 24 hours. Discussion grades may require the posting of all students' submissions. In these cases, grades will be posted by Thursday of the succeeding week. Grades for review papers and exams may take up to ten days to post. I will make every effort to generate feedback for your work as expeditiously as possible. I usually check in to the course twice a day, unless I am out of town or experiencing an unusually busy schedule. Please use Blackboard Mail (the course platform's internal mail client) for all course-related communication during the semester.

 

 

VACATIONS/BUSINESS TRAVEL ETC.

Instruction in this course is presented in weekly units. If you are out of town for any reason, it is your responsibility to make sure that you can access the course via the internet from whatever out-of town location you are visiting. There will be no excuses accepted for late coursework. You must be available for testing at the Testing Center during the assigned exam periods.

 

 

GRADING:

Final grades are based on the following distribution of points:

Class Participation (Discussion) - 20%

Quiz Scores - 10%

Mid-Term Exam - 20%

Live Performance Review - 20%

Final Exam - 30%

 

 

COURSE OUTLINE:

WEEK ONE

INTRODUCTION, WHAT IS JAZZ?

WEEK TWO

MUSIC LISTENING FUNDAMENTALS I

WEEK THREE

MUSIC LISTENING FUNDAMENTALS II

WEEK FOUR

HOW TO LISTEN TO JAZZ

WEEK FIVE

THE ORIGINS OF JAZZ

WEEK SIX

EARLY JAZZ

WEEK SEVEN

SWING (mid-term exam will become available on Friday of this week)

WEEK EIGHT

BEBOP, COOL JAZZ, HARD BOP (mid-term exam will be available this week)

WEEK NINE

COOL JAZZ, HARD BOP, MILES DAVIS

WEEK TEN

JOHN COLTRANE AND CHARLES MINGUS

WEEK ELEVEN

AVANT-GARDE AND FREE JAZZ

WEEK TWELVE

POST-1950's JAZZ PIANO

WEEK THIRTEEN

JAZZ-ROCK FUSION

WEEK FOURTEEN

CONTEMPORARY JAZZ: 1980 - PRESENT (final exam will become available on Friday of this week)

WEEK FIFTEEN

WRAPPIN' IT UP, FINAL EXAM (final exam will be available this week)

 

 

STUDENT CONDUCT

Students will be familiar with and adhere to the policies and sanctions governing student conduct as written in the HCC Catalog

 

 

COURSE POLICIES

HCC students are bound by the academic policies outlined in the most current HCC Catalog.
It is the student’s responsibility to review these policies prior to the start of each semester.

 

 

ACADEMIC DISHONESTY

The Harford Community College Catalog defines academic dishonesty as:

Cheating, which means knowingly using or attempting to use unauthorized materials, information or study aids as defined by the instructor;

Fabrication, which means intentional and unauthorized falsification or invention of any information or citation in an academic exercise;

Facilitating academic dishonesty, which means knowingly helping or attempting to help another to commit an act of academic dishonesty; or

Plagiarism, which means knowingly representing the words or ideas of another as one’s own in any written academic exercise.

Any such offenses will result in a failing grade and immediate notification of the Dean of the Division of Visual, Performing and Applied Arts and the Associate Vice President for Student Development for further action.

 

 

REVIEW PAPERS:

      All papers must be written in clear prose, including complete sentences with correct spelling and punctuation. Papers must be at least two pages, double-spaced, using a maximum font size of 10 points (or Times New Roman 12 pt.).  Papers must be submitted using Blackboard Mail, as an attachment, in Microsoft Word (.doc) format. If Microsoft Word is unavailable to the student, papers must be submitted in rich-text (.rtf) or .pdf format. All papers must be submitted by 11:00 pm on the due date, or a grade of "F" will be given for the assignment. Spelling and grammatical errors will adversely affect the grade.

      • Live Performance Review  

The subject of this review will be a live jazz performance which you have attended this semester. Eligible performances would include nightclub appearances as well as formal concerts.  The performance must be that of a jazz artist or group.  Performances by blues bands or other jazz-related, but not actually jazz groups are not eligible subjects for this paper. If in doubt as to the appropriateness/eligibility of a given performance, please consult your instructor.

Information concerning live jazz performances can be found at:

http://www.geocities.com/efixsen/BALTIMORE_ANNAPOLIS_JAZZ.html

http://www.citypaper.com

http://www.washingtoncitypaper.com

 General Information:

 The Live Performance Review should be a minimum of two pages, thoroughly proofread, treating a live jazz performance as described above.  Be sure to describe the music in terms of the categories and musical techniques outlined in the course content   In addition to whatever you feel is significant to report about your experience, you must also provide:

Name of leader or ensemble

Names of sidemen/group members and their instruments

Name of performance venue

Type of venue (nightclub, concert hall, arena, outdoor stage, etc.)

Date and time of the performance

Number of sets (shows) you heard

Your subjective impression of the venue and audience

For at least one composition/song you heard:

Title (if identified and/or recognized)

Composer (if identified or otherwise known)

Form of the piece

Style (New Orleans, swing, bebop, hard bop, free/avant-garde, fusion, etc.)

Tempo

Type of rhythm (straight or swing eighth notes, rhythm section accompaniment)

Identify soloists by name and instrument in the order they solo.

For this selection, describe the presence/use of any three of the following (at least one paragraph per characteristic).

improvisation

syncopation

harmony

characteristic (or non-characteristic) jazz instrumentation

role of percussion

timbral variation and coloration

repetition of brief patterns (riffs, ostinati, etc.)

polyrhythm

ornamentation

blue notes

call-and-response

Relate your subjective impression of the performance.

Please remember that your paper must consist of complete sentences and paragraphs.  A simple list of information is insufficient.

 

 

 

ABOUT YOUR INSTRUCTOR:

Philip B. Cunneff, lecturer in jazz history and percussion instructor at Harford Community College, has led his own innovative piano-less jazz trios for over fifteen years. His musical apprenticeship was served in the jazz clubs of Virginia, Washington DC, Boston, and New York. During a two year residence in Charlotte, NC, he performed and lectured with the American Indigenous Music Project. He attended Rutgers University, majoring in jazz performance and leading his own quartet and quintet at the world-famous Blue Note and other New York and New Jersey venues. Mr. Cunneff also designed and presented jazz concert/lecture programs in schools throughout New Jersey under grants from the Geraldine R. Dodge Foundation, administered by Young Audiences.

His newest recording, "Levi," was released in spring 2005 on the Fells Point Jazz label. He can also be found supporting jazz guitarists Paul Wingo and Rick Hannah, Steve Kraemer's Bluesicians, and the vocal jazz group After Hours (Harford Community College Artists-in-Residence). He has performed with pianists Sammy Price, Kenny Barron, Dorothy Donegan, Bill Mays, George Colligan, and Harry Pickens, vocalists Jon Hendricks, Carol Sloane, and Mark Murphy, saxophonists Houston Person, Eddie Barefield, Clifford Jordan, Harold Vick, Julius Hemphill, Ken McIntyre, Carl Grubbs, Cecil Payne and Thomas Chapin, bassists Drew Gress, Mike Formanek, Larry Ridley and Paul Gill, trumpeters Doc Cheatham, Terence Blanchard, Marcus Belgrave and Virgil Jones, trombonists Dicky Wells, Curtis Fuller, and Benny Powell, violinist Sara Caswell, and guitarists Ted Dunbar, Paul Bollenback, Rory Stuart, Sheryl Bailey, and Joshua Breakstone.

Mr. Cunneff joined the HCC faculty in 2001.

 

 

DISABILITY SUPPORT SERVICES STATEMENT

Harford Community College is committed to serving students who have documented physical, learning, psychological, or other disabilities. Students who have a disability are responsible for contacting Disability Support Services at 410-836-4402 to discuss their needs for accommodations. All shared information will be held in confidence.

 

 

SUPPLEMENTAL MATERIALS/LIBRARY HOLDINGS:

The Harford Community College Library contains many holdings which may enhance your learning experience. Here is a list containing most of them. Be aware that the library is always obtaining new materials, and those which circulate may not be available at the specific time you are seeking them. The librarians and library assistants will be glad to help you find any of these:

BOOKS

Levin, Floyd. Classic Jazz : a Personal View of the Music and the Musicians / c2000. HCC Call Number: ML3508 .L48 2000

Balliett, Whitney. Collected Works : a Journal of Jazz, 1954-2000 / c2000. HCC Call Number: ML3506 .B33 2000

Giddins, Gary. Visions of Jazz : the First Century / 1998. HCC Call Number: ML385 .G53 1998

Ward, Geoffrey C. Jazz : a History of America's Music / 2000. HCC Call Number: ML3506 .W37 2000

Tucker, Sherrie, 1957- Swing Shift : "All-Girl" Bands of the 1940s / 2000. HCC Call Number: ML82 .T83 2000

Handy, D. Antoinette, 1930- Jazz Man's Journey : a Biography of Ellis Louis Marsalis, Jr. / 1999. HCC Call Number: ML417.M295 H36 1999

Armstrong, Louis, 1901-1971. Louis Armstrong, in His Own Words : Selected Writings/ 1999. HCC Call Number: ML419.A75 A3 1999

Masters of Jazz Guitar / [editor, Charles Alexander]. HCC Call Number: ML399 .M38 1999

Sudhalter, Richard M. Lost Chords : White Musicians and Their Contribution to Jazz, 1915-1945 / 1999. HCC Call Number: ML3508 .S85 1999

The Louis Armstrong Companion : Eight Decades of Commentary / edited by Joshua Berrett. HCC Call Number: ML419.A75 L68 1999

Feather, Leonard G. The Biographical Encyclopedia of Jazz / 1999. HCC Call Number: ML102.J3 F39 1999

Gottschild, Brenda Dixon. Waltzing in the Dark : African American Vaudeville and Race Politics in the Swing Era / 2000. HCC Call Number: GV1785.W393 G68 2000

Cooke, Mervyn. The Chronicle of Jazz / 1998. HCC Call Number: ML3506 .C47 1998

The Charlie Parker Companion : Six Decades of Commentary / edited by Carl Woideck. HCC Call Number: ML419.P4 C45 1998

The John Coltrane Companion : Five Decades of Commentary / edited by Carl Woideck. HCC Call Number: ML419.C645 J65 1998

Gioia, Ted. The History of Jazz / 1997. HCC Call Number: ML3506 .G54 1997

Werner, Otto. The Latin Influence on Jazz / c1992. HCC Call Number: ML3475 .W47 1992

Werner, Otto. The Origin and Development of Jazz / c1994. HCC Call Number: ML3508 .W47 1994

Sharp, David E. (David Eugene), 1960- An Outline History of American Jazz / c1995. HCC Call Number: ML3508 .S43 1995

Mancuso, Chuck, 1942- Popular Music and the Underground : Foundations of Jazz, Blues, Country, and Rock, 1900-1950 / c1996. HCC Call Number: ML3477 .M36 1996

Davis, Nathan T. (Nathan Tate), 1937- The University of Pittsburgh Jazz Seminar : photo album / c1996. HCC Call Number: ML38.P57 U55 1996

Davis, Nathan T. (Nathan Tate), 1937- Writings in Jazz / c1996. HCC Call Number: ML3506 .D33 1996

Schuller, Gunther. The Swing Era : the Development of Jazz, 1930-1945 / 1991, c1989. HCC Call Number: ML3506 .S36 1991

Williams, Martin T. The Jazz Tradition / 1993. HCC Call Number: ML3506 .W545 1992

Russo, William. Jazz Composition and Orchestration / [1974, c1968] HCC Call Number: MT40 .R89 1974

Korall, Burt. Drummin' Men : the Heartbeat of Jazz, the Swing Years / c1990. HCC Call Number: ML399 .K66 1990

Reading Jazz / edited by David Meltzer. HCC Call Number: ML3507 .R42 1993

Collier, James Lincoln, 1928- Jazz : the American Theme Song / 1993. HCC Call Number: ML3508 .C62 1993

The Duke Ellington Reader / edited by Mark Tucker. HCC Call Number: ML410.E44 D84 1993

Kater, Michael H., 1937- Different Drummers : Jazz in the Culture of Nazi Germany / 1992. HCC Call Number: ML3509.G3 K37 1992

Gioia, Ted. West Coast Jazz : Modern Jazz in California, 1945-1960 / 1992. HCC Call Number: ML3506 .G54 1997

Rosenthal, David, 1945-Hard Bop : Jazz and Black Music, 1955-1965 / 1992. HCC Call Number: ML3508 .R68 1992

America's Musical Pulse : Popular Music in Twentieth-Century Society / edited by Kenneth J. Bindas. HCC Call Number: ML3477 .A48 1992

Rattenbury, Ken, 1920- Duke Ellington, Jazz Composer / c1990. HCC Call Number: ML410.E44 R3 1990

Bolocan, David. Jazz/ c1985. HCC Call Number: HF5548.4.J38 B65 1985

Lees, Gene. Oscar Peterson : the Will to Swing / c1990. HCC Call Number: ML417.P46 L4 1990

Ogren, Kathy J. The Jazz Revolution : Twenties America & the Meaning of jazz / 1989. HCC Call Number: ML3508 .O37 1989

Longstreet, Stephen, 1907- Storyville to Harlem : Fifty Years in the Jazz Scene / c1986. HCC Call Number: ML3506 .L66 1986

Collier, James Lincoln, 1928- Duke Ellington / 1987. HCC Call Number: ML410.E44 C6 1987

Clayton, Buck, 1911- Buck Clayton's Jazz World / 1987. HCC Call Number: ML419.C6 A3 1987

Berry, Jason. Up from the Cradle of Jazz : New Orleans Music Since World War II / c1986. HCC Call Number: ML3521 .B47 1986

** Balliett, Whitney. American Musicians : Fifty-six Portraits in Jazz / 1986. HCC Call Number: ML395 .B34 1986

Concise Histories of American Popular Culture / edited by M. Thomas Inge. HCC Call Number: E169.1 .C693 1982

Henry, Robert E. The Jazz Ensemble : a Guide to Technique / c1981. HCC Call Number: MT86 .H47

Feather, Leonard G., Inside Jazz / 1977, c1949. HCC Call Number: ML3561.J3 F4 1977

Williams, Martin T., Jazz Masters of New Orleans, [1967] HCC Call Number: ML3561.J3 W5315

Hentoff, Nat., Jazz : New Perspectives on the History of Jazz / 1975, c1959. HCC Call Number: ML3561.J3 H44 1975

Wilmer, Valerie. As Serious as Your Life : the Story of the New Jazz / 1980. HCC Call Number: ML3561.J3 W535 1980

Giddins, Gary. Riding on a Blue Note : Jazz and American Pop / 1981. HCC Call Number: ML3507 .G52

Schuller, Gunther. The History of Jazz. 1968-<1989 > HCC Call Number: ML3561.J3 S3295

Case, Brian. The Illustrated Encyclopedia of Jazz / c1978. HCC Call Number: ML102.J3 C34

Haskins, James, 1941- The Cotton Club / c1977. HCC Call Number: ML200.8.N52 C73

Wilmer, Valerie. The Face of Black Music ; photographs / 1976. HCC Call Number: ML87 .W655

Chilton, John, 1932- Who's Who of Jazz! Storyville to Swing Street. [1972] HCC Call Number: ML106.U3 C5 1972

Kinkle, Roger D., 1916- The Complete Encyclopedia of Popular Music and Jazz, 1900-1950 [1974] HCC Call Number: ML102.P66 K55

Davis, Francis. Outcats : Jazz Composers, Instrumentalists, and Singers / 1990. HCC Call Number: ML385 .D29 1990

 

VIDEOS

Jazz [videorecording] / a production of Florentine Films and WETA, Washington D.C. in association with BBC ; a film by Ken Burns. HCC Call Number: XML3508 .J378 2000

Masters of American Music [videorecording] HCC Call Number: XML420 .M27 1997

Millennium Evenings at the White House: Honor the Past, Imagine the Future [videorecording] / presented by The White House Millennium Council, The National Endowment for the Humanities, Sun Microsystems. HCC Call Number: PREX 1.21:M 61/PKG.

Dee Dee Bridgewater [videorecording] / [a production of] La Sept Arte-Ex Nihilo. HCC Call Number: XML420.B74 D33 1998

Count Basie [videorecording] HCC Call Number: XML420.B27 C68 1998

Fats Waller [videorecording] / [a production of] La Sept Arte-Ex Nihilo. HCC Call Number: XML420.W25 F28 1998

Louis Armstrong [videorecording] / [a production of] La Sept Arte-Ex Nihilo. HCC Call Number: XML420.A76 L68 1998

Max Roach [videorecording] / [a production of] La Sept Arte-Ex Nihilo. HCC Call Number: XML420.R62 M29 1998

Bill Evans [videorecording] / [a production of] La Sept Arte-Ex Nihilo. HCC Call Number: XML420.E82 B45 1998

Gil Evans [videorecording] HCC Call Number: XML420.E82 G45 1998

Gerry Mulligan [videorecording] / [a production of] La Sept Arte-Ex Nihilo. HCC Call Number: XML420.M85 G37 1998

John Coltrane [videorecording] / proposed and written by Gérald Arnaud ; produced by Patrick Sobelman ; directed by Jean-Noël Cristiani ; a production of La Sept Arte. HCC Call Number: XML419.C645 J64 1998

The Story of Jazz [videorecording] / a co-production of Toby Byron/Multiprises in association with Taurus Film, Munich, BMG Video, and VideoArts Music ; directed by Matthew Seig ; produced by Toby Byron, Richard Saylor ; written by Chris Albertson with Matthew Seig ; edited by Faith Patrice Jones ; executive producers, David Steffen, Hisao Ebine. HCC Call Number: XML3506 .S76 1993

Oscar Peterson: Music in the Key of Oscar [videorecording] / produced by Elitha Peterson Productions,Inc., Vocal Vision Productions, Inc. with the National Film Board of Canada and CBC. HCC Call Number: XML417.P4 O84 1995

The EAV History of Jazz: with Billy Taylor [videorecording] / produced and directed by Ruth Leon ; written by Gladys Carter and Billy Taylor ; an EAV production. HCC Call Number: XML3561.J3 E2 1986

Messenger, Bill. Elements of Jazz from Cakewalks to Fusion / c1995. HCC Call Number: XML3508 .M47 1995

Romare Bearden: Visual Jazz [videorecording] / created & produced by Linda Freeman ; written and directed by David Irving. HCC Call Number: XN6537.B4 A4 1995

Buddy Rich: Jazz Legend : part 2, 1970-1987 [videorecording]. HCC Call Number: XML419.R53 B84 1994

Buddy Rich: Jazz Legend: part 1,1917-1970 [videorecording] HCC Call Number: XML419.R53 B83 1994

Ellington, Duke, 1899-1974. Memories of Duke 1984. HCC Call Number: XM1366 .M59 1984

A Tribute to Bill Evans [videorecording] / an Interprom Production for HTV West in association with Stanley Dorfman Productions. HCC Call Number: XM1366 .E45 1991

Thelonious Monk, Straight No Chaser [videorecording] / Warner Bros. Inc. HCC Call Number: XML419.M65 T445 1990

McFerrin, Bobby. Spontaneous Inventions c1986. HCC Call Number: XM1630.18.M213 S69 1986

Sarah Vaughan & Friends: a Jazz Session [videorecording]/ Horns A Plenty Productions. HCC Call Number: XM1630.19.V38 J47 1986

Cobham Meets Bellson [videorecording] / Olivia Productions/ Polivideo Production. HCC Call Number: XML3508 .C6 1991

Joe Williams : Jazz at the Smithsonian [videorecording]/ Adler Enterprises ; produced and directed by Clark Santee and Delia Gravel Santee. HCC Call Number: XM1366 .J63 1982

Jazz Masters Video Collection. [videorecording] HCC Call Number: XM1366 .J38 1990

Patitucci, John. Electric Bass 1990. HCC Call Number: XMT580 .E53 1990

Patitucci, John. John Patitucci; Bass Workshop / 1989. HCC Call Number: XMT582 .P37 1989

In the Pocket [videorecording] / DCI Music Video ; Dennis Chambers ; produced by Stephen Reed ; directed by Allie Eberhardt. HCC Call Number: XMT655 .I5 1992

Steve Smith [videorecording] HCC Call Number: XMT655 .S64 1988

Lady Day: the Many Faces of Billie Holiday [videorecording]/ Toby Byron/Multiprises in association with Taurus Film, Munich and Video Arts Japan. HCC Call Number: XML420.H58 L22 1991

Joe Williams: A Song Is Born. [videorecording] HCC Call Number: XM1366 .J64 1992

Gillespie, Dizzy, 1917- Dizzy Gillespie "A Night in Tunisia - a Musical Portrait / c1990. HCC Call Number: XML419.G54 N53 1990

Celebrating Bird: the Triumph of Charlie Parker [videorecording]/ Toby Byron/Multiprises ; Sony Video Software Company ; Pioneer Artists ; written by Gary Giddins ; produced by Toby Byron ; directed by Gary Giddins and Kendrick Simmons. HCC Call Number: XML419.P4 C4 1987

Trumpet Kings: with Wynton Marsalis. [videorecording] HCC Call Number: XM1366 .T78 1985

Tenor Titans: with Branford Marsalis. [videorecording] HCC Call Number: XML399 .T46 1992

Reed Royalty: with Branford Marsalis. [videorecording] HCC Call Number: XML399 .R44 1992

Alberta Hunter: My Castle's Rockin' [videorecording]/ producer/director, Stuart Goldman. HCC Call Number: XML420.H86 A4 1992

The Ladies Sing the Blues [videorecording] / Minnesota Studio, Inc. ; executive producers, William Semans and Jonathon Lazear ; producer, Tom Jenz ; writer/narrator, Leigh Kamman. HCC Call Number: XM1630.18 .L24 1988

Piano Legends [videorecording] HCC Call Number: XML397 .P536 1986

McRae, Carmen. Carmen McRae Live [videorecording] c1986 HCC Call Number: XM1630.18.M37 C37

The Coltrane Legacy [videorecording]/ produced and directed by Burrill Crohn ; a production of Jazz Images Inc. HCC Call Number: XM1366.C6 C6 1985

 

 

STUDENT SERVICES

A wide variety of services are available to HCC students. A comprehensive list of these, with directions for access, is available at the Student Services Homepage